We must insist.

At least once a week since the election someone in the shop is working on a poster or card in protest of the rain of Trumpery.  A couple of recent ones composed and printed on the venerable  Ostrander hand press.  Extra Heavy. IMG_0064         IMG_0058



New Member of Crew

I’ve always admired and wished I could work with a handpress. I’ve seen beautiful examples; some, like this one in Antwerp’s Plantin Museum, dating back to 1600. IMG_1126 They’re the kind first invented by Gutenberg, evolved from a wine press, with a way of sliding the work on a track under the platen where the downward force of screw or toggle makes an impression.

Last month I got a letter from Dennis Renault, who has printed on such a press for nearly fifty years, and had decided our shop would be a good new home for it. It meaning: an Ostrander Seymour 1200 lb. iron handpress. Dennis had taken such excellent care of it and was so generous with the price that I took him up on it.

After much effort , the press was disassembled, loaded & reassembled at the shop.  With a week of study and tinkering, we were able to pull some good quality proofs.  The beauty & power of the press  coupled to an effortless quiet printing is sweet. And there’s something too about the directness of its action: it’s a press.


Now it’s the thing that wakes me up at 5am thinking about inking, & fretting about friskets. Or imagining what I should compose on it…every press imparts its own influences on a printer. Although this one was built in the 1890s, its motions,  methods, and aura take one back 500 years.

The music of the shop just added a string bass.

Many thanks to Richard Burg, Paul Lewis & Tiana Krahn for the disassembly, loading & reassembly.  And most of all to  Dennis Renault… for giving us the opportunity and guidance throughout.